Monday 29 October 2012

Thanks a bunch

Here is a lovely review of an album by our band Frost at Midnight. It can be found on the marvellous Celtic Music Fan blog here http://celticmusicfan.com/ The album is available at http://www.amazon.co.uk/Happy-Birthday-Frost-at-Midnight/dp/B000WMG4LU/ref=sr_1_1?ie=UTF8&qid=1351537345&sr=8-1 Mine is the lowest price. Beautiful and uplifting, Frost at Midnight crafted an album that is determined to encourage repeated listens. Even the album artwork encourages a smile with its illustration of golden birthday cake framed in blue. The album title is Happy Birthday. Opening the cardboard case introduces me to a back cover picture of band members slicing that cake. There are references to Keats, Jacques Humbert, Jack Sinclair, Julian of Norwich and TS Eliot. I can tell that songwriter Rob Atkins is somewhat into academic themes. This album is also traditionally influenced with classical frills. As for the vocals, Catherine Atkins and Johnny Quick both deliver superb singing styles. Catherine has pure soprano voice which is comparable to Judy Collins and fellow Welsh singer Mary Hopkins. Johnny has a faint folk roughness underneath the Broadway smooth voice. A kind of high plucky sound is heard all over the album courtesy of Rob Atkin’s mandolin. The airy sounds of keyboards, bass and guitars almost slide into the border of indie folk and is only hold on a balance by the flute of Catherine Handley. The harmonica of John Tribe reinforces the band’s folk influence. Happy Birthday opens with the lively A Birthday. It has a kind of 70’s vibes. The signing here reminds me a bit of Sally Oldfield and Maggie Reilly. Deep Open Chord follows with its heartfelt lyrics and pastoral melodies. Surprise by Joy opens with “Surprise by joy impatient as the wind I turn to share, I turn to share the rapture..” I am touched with the poetic elegance of this track. I love the mandolin playing in The Egg Timer. It’s one of those instrumental tracks that should be given more exposure for its delicate and atmospheric beauty. Writ in Water has a renaissance kind of sound while All Shall Be Well reminds me of those Irish ballads performed by the Dubliners and Planxty. Love’s a Mystery is filled with magical bells which grow on you after repeated listens. Why Should I Care strikes me as something the late Sandy Denny would sing. At the same time the Jazz melodic flavor makes it a perfect lounge track. Mercy Paves the Way burrows its melody from the Scottish song Ae Fond Kiss. The voice of Catherine Atkins soars like an angel. Tambourine is a track that introduced me to the band after hearing it online. This is definitive Welsh trad style.The tambourine sounds trimmed down to give more emphasis on the flute of Catherine Handley. Sleep starts with an ambient keyboard style. This is the only track featuring a synthesized sound that works well! As the title suggests, it is a lullaby. Another Birthday(reprise) closes the album as an instrumental track. My verdict: There should be more Welsh bands like Frost at Midnight that celebrates the beauty of combining the delicate styles of various genres. It is a must have album whither you are into indie folk, Celtic or easy listening.

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